Here’s a heads up about some events coming up in 2019 that will be of interest to folk with a passion for dramatic inquiry.

First, the Drama New Zealand conference, which is being held in Christchurch from 12th – 14th April. Website for registration is here schedule is here with information about the workshops and presenters here. This conference always offers a good range of workshops suitable for primary generalist teachers with an interest in drama through to secondary specialists, which is a good reason to check it out. Another is that it is always one of the friendliest conferences whether you are reconnecting with friends or attending for the first time. This year I have the honour of presenting a keynote address as well as co-presenting a workshop and a paper on some recent research with colleague Renee Downey. It would be great to see you if you can make it.

Right after Drama New Zealand’s conference, comes the Primary Teacher’s conference, which is being held in Wellington from 15th-18th April.

15th – 18th April 2019 WELLINGTON

As I understand it, the Primary school’s teacher’s conference is a new initiative and it’s obviously caused quite a buzz, with over 65 workshops from teachers and experts across a range of fields. The theme of the conference is “Integrated learning and collaborative teaching in the 21st Century”. There’s a pleasing number of sessions related to drama education / dramatic inquiry or related topics that will feed you if creativity, collaboration and integration is your thing. I’m looking forward to presenting at this one, once again with Renee.

And a little later in the year, we have a three day TRCC offering, which is to be held 2-4 October at Kelburn Normal School, Wellington. Enrolments for this one close on 30th August, so best to get in now. The course, which is running in association with Drama New Zealand, will offer workshops in story telling, process drama, drama with early years, working with picture books, mime movement and singing and play making. I’m delighted to have been asked to lead one of the workshops alongside some of my most esteemed colleagues from around Australasia. It will be very exciting and I’m looking forward to it greatly. For more information and to register, check out the flier below. Link to website for more info is here

In 2016-17 A team of teachers at Otaika Valley school in Northland, lead by project leader Renee Downey conducted a really exciting TLIF funded inquiry exploring the use of dramatic inquiry to enhance writing outcomes for their students – including the high number of Māori learners in the school. Professional learning in drama and mantle of the expert was combined with learning about Te Ao Māori and culturally responsive pedagogy, supported by cultural mentors Maia Heteraka (Auckland University) and Matua Charles (Wānanga). Results were impressive and the school has gone on to embed dramatic inquiry across the school and in its curriculum documents.

You can read the final TLIF report here – it’s a credit to the hard work and commitment of Renee and the rest of the team – Deputy principal Heidi Neiddu and classroom teachers Courtney DeBoer and Hayley Alchin. Principal Terry Brock also carried used his sabbatical study leave to learn more about dramatic inquiry – particularly Mantle of the Expert. His report is here. How fantastic for the school to have a leader so keen to learn more and support the work.

Results from a research project run parallel to the TLIF and led by me (Viv Aitken) will be shared with the staff at the school soon, then in conference presentations and papers beginning in 2019.

In 2018 Renee went on to carry out further research at Masters level and these results, too, will be published shortly.

This has been a significant piece of work by the hardworking team of teachers at Otaika Valley, led with skill by Renee with great support from Terry. It was a huge privilege to be part of this mahi – thanks so much to everyone involved.

Are you a NZ secondary teacher using – or interested in using – dramatic inquiry (Mantle of the Expert / process drama / drama for learning / rolling role) in your teaching?

You’re invited to sign up for a short series of live online meetups where colleagues will discuss the issues, challenges and rewards of using drama in the secondary classroom.

UPDATE: Dates for these meetups have been changed since the original announcement. You’re still very welcome to attend. Please email mantleoftheexpertnz@gmail.com and ask for the time of the next meetup.

Teachers in Auckland region are reminded that our next cluster meeting is coming up soon – 1st Feb. Thanks to Lindsay, Claire and the staff of Bayswater school who are our hosts this time round. If you’ve never attended a cluster meeting before – haere mai – everyone is welcome! No need to RSVP – just come along if you can.

These friendly gatherings are a great way to meet like-minded teachers, share stories and pick up some ideas for your classroom. No cost other than your time. This meeting will focus on planning: We’ll look at the process Robin K followed in adapting a wide-ranging ‘inquiry’ unit plan into her first full blown mantle. She’s very excited about the results and, luckily for us, she’s happy to share. Come and learn more!

Where: 183/181 Bayswater Ave, Bayswater, Auckland 0622

When: Fri 1st Feb, 3.30 -5.30 (don’t worry about the start time … whenever you can get there through traffic is fine!)

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Haere Mai, Haere Mai, Haere Mai! WELCOME!

This website is for teachers in Aotearoa New Zealand interested in Dorothy Heathcote’s dramatic inquiry approach to teaching and learning:

MANTLE OF THE EXPERT

  • Find out more about Mantle of the Expertmantle of ex titanic 005
  • Keep up with the latest news
  • Connect with others in your area for face-to-face meetings and support
  • Access and share resources for planning in your classroom
  • Read blogs by NZ teachers using dramatic inquiry in their classrooms
  • Find information about workshops & courses 
  • Link to international online material 

Using this website and resources

TGA cluster august 14

Tauranga Cluster Aug 14

The design of the site is kept as simple as possible: the best way to find your way around is to use a ‘search’ for key terms – or you can use the ‘menu’ tabs (across the top of this page) or click on something of interest in the list of  ‘categories’ on the right.

Stay up to date by subscribing to our regular email updates (top right)

Please read ‘site protocol‘ before posting on this site

Here’s the second of three conversations with Hākon Saeberg from Iceland who has been talking about his experiences teaching Mantle of the Expert with year 4 students. If you missed the first part, it can be seen here. When Hākon and I reconnected,  he had just embarked on the Mantle and was three days in. He had gone ahead with the idea, previously discussed, of imagining an island that is suffering through sea level rise. The class had spent the first three days creating the island that would disappear.

Viv: So why did it feel like a good idea to start this way this time?

Hākon: I thought it would be important to try and create an emotional investment for the students towards the island. I was hoping that this would make the news that the island will disappear more dramatic.

Viv: What conventions of drama have you used so far to create the island?

Hākon: We spent time creating the central space of the island, so we could create a shared view of the place, we created stories of the island so we could have a shared vision…This is the first-time that the children have done lots of the groundwork when starting a Mantle.

Viv: Clearly you have spent time building the emotional connection to the imagined world, so when will you bring in the idea that this place is under threat?

Hākon: Today they got the news that the island will disappear. The King (teacher in role) delivered the news. He said he was scared and didn’t know what to do.

Viv: How did the children react?

Hākon: At first, they thought they could do miracle solutions, for example stopping the rising sea levels by recycling. I think this is because in my previous mantles there have been miracle solutions like this, but then I went into role as a top scientist and confirmed there was nothing we could do.

Viv: How did this go down?

Hākon: The children were quite thrown, and you could sense their uncertainty. However, I feel similarly, as I’m finding it a struggle to think of where I go next.

Viv: Perhaps it would help to have some out of role reflection to give them a chance to discuss how this experience is different from past Mantles. A big part of this approach is the chance to step back and articulate how the learning is going – what’s challenging etc.

Hākon: That might be the best way to go. This way I could also try to better understand how the students feel about the story so far. It’s quite different than any other mantle I’ve done. But, I’m also still grappling with the question of what kind of expert team the children should be. Should we work as lots of little teams all tackling different parts of the resettlement process?

Viv: Well, let’s think about who a leader of a country who was in this situation would call on in real life. It would be many different teams, in fact, wouldn’t it? There would be cartographers –  to map out the unexplored land, there would be historians – to advise on the important parts of the existing history and culture of the country that should be preserved, there would be artists to create artworks to express the cultural identity. While you could divide the class into multiple teams to explore all these things (this is something like the ‘rolling role’ approach), it’s an awful lot of work for one teacher to ensure the learning is deep in each area, plus there’s a danger that not every child learns about every aspect. If you want to work with the unified community of learning of a single team, the challenge is to find an expert frame that everyone can be in together and that gives you a perspective on the issue that takes you to the curriculum areas you want to explore. We talked about some other options last time, didn’t we?

Hākon: I think I will make them city planners who are asked to create a map of the new capital city. The map would have to include the structures of government, the culturally significant buildings and the religious centres – these are all the aspects of society I want us to study. And if the commission included a requirement to honour the history of the old island, this could focus things nicely.

Viv: Sounds great. How will you deliver the commission, and who will be your client?

Hākon: I guess the king will be the client. As for the commission, these kids really enjoy receiving an email, but since the people on the island are a bit old-fashioned I might use a letter.

Viv: Let’s talk about some drama possibilities, too. What if you went back in to role as the King, and asked the children to step in to a sort of ‘shadow role’ as ‘wise people of the island’ to offer their advice. That way, the group could explore all sorts of possibilities for the future of the country and the children could get a sense of the magnitude of the decision the king is facing.

Hākon: That’s a great idea. This could also lead to the children creating their own commission in a way, by recommending it to the king.

Viv: It’s also important to add that stepping in to shadow role as the islanders probably won’t confuse the children. They know that their main identity within the mantle is as the expert team – the city planners – carrying out the commission. That’s because you will take time to build belief in the expert team identity and you’ll keep returning to it, unlike shadow role which you just step in and out of. Does that make sense?

Hākon: Definitely. I have used ‘shadow roles’ before to some extent so the children are used to it. I think it will also help, in this case, that the children have not yet gone into role as the city planners, so there shouldn’t be much confusion once we go into that role. Talking of building belief in the company, or responsible team, do you have any suggestions for doing this in a new way? I’m familiar with the idea of designing the office space and stuff. What are some other ideas that you like to use?

Viv: One strategy I use a lot is one I was taught by Brian Edmiston. This involves asking them to draw a favourite part of the office and then talk about how this space represents the values of the company. For example, I remember a recent company where someone drew a sign showing the way to the childcare centre. He spoke about how this signified we were a family-focussed organization with a systematic approach to supporting women in the workplace. So, yes, that can be a nice strategy. You can also design the company’s main door way.

Hākon: Yes, I have tried that before, and I have written letters from previous clients.

Viv: Awards can also be good. I had one Mantle where the team received an award from the government for their previous work. This gives the opportunity to think about what would be on the citation and sets up the idea that we are obviously successful and experienced.

Hākon: OK. I feel like we have a sense of where to go next. The children will take on the role of elders which will hopefully lead us into the commission. Thereafter we will start the expert framing as city planners. Just thinking ahead to possible tensions. What issues or tensions could be appropriate?

Viv: Well, let’s think of some possibilities. When I’m planning for tensions I will often go to Heathcote’s handout ‘working with tension’. Or sometimes I just think, ‘what if…..’ So, let’s try that. If we are setting up a new society, what problems might arise…?

Hākon: What if…. There are differences of opinion about which form of government would be right? When the children were creating the island, they decided that it was governed by a king? What if they would rather want a democracy? Or what if they don’t like democracy? I think it could be fun if they choose anarchy!

Viv: And of course, there’s religion too…. What if there’s a conflict within the new society with a dominant religion that doesn’t want others to be included? What if there are objections to the iconography? That could bring up a whole lot of interesting curriculum.

Hākon: And environmental issues – what if there are problems in the new country related to the use of land. Or getting rid of waste?

Viv: Lots of possibilities. You don’t need to decide what to use just yet, but it’s good to have some of these up your sleeve as the Mantle progresses.

Hākon: Fantastic! I feel these talks are incredibly helpful and I’m learning a lot.

Viv: All the best with the next phase. Just one more thing… How are your teaching colleagues finding it? Are they enjoying it as much as you are?

Hākon: They are a little concerned about how slowly the class is moving at the moment while we build belief in the imagined world. It will be good when we start moving faster!

Thanks so much for sharing your thoughts with us Hākon – we look forward to part three where we hear how the Mantle finished up.

This video gives a pretty thorough biographical account of Dorothy Heathcote’s life and career, including the development of Mantle of the Expert. Thanks to mantleoftheexpert.com for making this available.

If you attended the last Auckland cluster meeting, you’ll already be aware of the next one, coming up on Thursday 15th November from 4.30pm in room N313 at the University of Auckland’s Epsom campus. 

If you didn’t make it last time, but would like to come – please do!

The meeting will be an opportunity to share stories, get some free Professional Development and connect with a great bunch of colleagues – from those who are new to dramatic inquiry to more experienced practitioners.

Please bring stories from your classroom, half formed plans, any questions and, if you can – a friend.

See you there.

This slideshow was created to introduce dramatic inquiry and Mantle of the Expert – it was shown at recent cluster meetings and I promised to share the slides here. The complete pdf can be viewed at this link

While some images won’t make much sense without commentary, others may be useful – and there are links to further information.

Here’s something I’ve been working on for some time with input from teachers and colleagues in NZ and beyond. It’s a work in progress that I’m updating and improving as more people contribute their ideas … I’d love to get your thoughts, suggestions and refinements and I can add your name to the long list of acknowledgements…!

The document is an attempt to offer answers to some of the most common questions asked by people who want to understand Mantle of the Expert, especially those wanting to use it across the whole school: “What does it look like in my context?” “How does it relate to other drama in education approaches?” and “What’s the fit with development?”

There’s a diagram on the first page, then a sort of table with definitions and examples. Not perfect, but so far people seem to be finding it pretty useful. Check it out at the link below, and let me know what you think.

https://drive.google.com/file/d/1IeRV70QkbKihnIu27FM2-QQ7lZE_R5UT/view?usp=sharing